Baby central. A flock of storks is leaving with babies. An old man at a ledger book is dealing with phone calls and letters; a request for twins from Nanook of the North sends him to the refrigerator; the stork carries them in slings marked "upper birth" and "lower birth." Another request, written in Hebrew; this baby comes back as a rough Jewish stereotype, and gets stamped kosher. He then joins the head man singing the title song, and shuffling us off to see the baby assembly line, manned by dwarves. The babies are washed in a washing machine, dried, powdered, diapered in paper towels, loaded up with milk, and sent off in a crib. They clamor for "Cantor" and one of the dwarves reveals that he was _Eddie Cantor_ in disguise, followed by another round of the title song.

Dishes and utensils wash, dry, and stack themselves. A duster plays a silverware box like a piano while a salt-pepper-and-sugar set sings. The spoon proposes to the dish (interrupted by a cry from a baby spoon), then plays percussion on some pans and jam jars. Some teacups do a can-can, then a centipede-like conga line. The Swiss cheese yodels. The blueing sings "Am I Blue?," joined by a potato crying from all its eyes. An egg dances, slips on some lard, hatches, and sings "Young and Healthy." A lump of dough rises like a ghost and dances over to a packet of yeast, which it mixes into water and drinks, then grows, a la Jekyll and Hyde. It threatens the dish; some utensils fight back, lobbing canned goods from a spatula catapult. More attacks with cheese graters, popcorn, a rolling pin, and an electric fan, turn the dough into muffins, a bundt cake, a pie, and waffles.