In the 1930s, William Randolph Hearst's media empire included 28 newspapers, a movie studio, a syndicated wire service, radio stations, and 13 magazines. Nearly one in four American families read a Hearst publication. His newspapers were so influential that Adolf Hitler, Benito Mussolini, and Winston Churchill all wrote for him. The first practitioner of what is now known as "synergy," Hearst used his media stronghold to achieve unprecedented political power, then ran for office himself. After serving two terms in Congress, he came in second in the balloting for the Democratic presidential nomination in 1904. Perhaps best known as the inspiration for Orson Welles' Citizen Kane and his lavish castle in San Simeon, Hearst died in 1951 at the age of 88, transforming the media's role in American life and politics. The two-part, four-hour film is based on historian David Nasaw's critically acclaimed biography, The Chief: The Life of William Randolph Hearst.

The American Diplomat explores the lives and legacies of three African American ambassadors — Edward Dudley, Terence Todman, and Carl Rowan — who pushed past historical and institutional racial barriers to reach high-ranking appointments in the Truman, Eisenhower, and Kennedy administrations. At the height of the civil rights movement in the United States, the three men were asked to represent the best of American ideals abroad while facing discrimination at home. Oft reputed as "pale, male and Yale," the U.S. State Department fiercely maintained and cultivated the Foreign Service's elitist character and was one of the last federal agencies to desegregate. Through rare archival footage, in-depth oral histories, and interviews with family members, colleagues, and diplomats, the film paints a portrait of three men who left a lasting impact on the content and character of the Foreign Service and changed American diplomacy forever. Building lives of opportunity and influence, they advocated for a nation that did not always advocate for them.