In the 1950s and '60s, an underground network of transgender women and cross-dressing men found refuge at a modest house in the Catskills region of New York. Known as Casa Susanna, the house provided a safe place to express their true selves and live for a few days as they had always dreamed—dressed as and living as women without fear of being incarcerated or institutionalized for their self-expression. 

Told through the memories of those whose visits to the house would change their lives, the film provides a moving look back at a secret world where the persecuted and frightened found freedom, acceptance, and, often, the courage to live their lives out of the shadows.

In The Harvest, Pulitzer Prize-winning author Douglas A. Blackmon looks back at how school integration transformed his hometown of Leland, Mississippi. After the 1954 Supreme Court ruled that racial segregation in public schools was unconstitutional, little more than token efforts were made to desegregate Southern schools. That changed dramatically on October 29, 1969, when the high court ordered Mississippi schools to fully — and immediately — desegregate. As a result, a group of children, including six-year-old Blackmon, became part of the first class of Black and White children who would attend all 12 grades together in Leland.

Set against vast historic and demographic changes unfolding across America, The Harvest follows a coalition of Black and white citizens working to create racially integrated public schools in a cotton town in the middle of the Mississippi Delta, the most rigidly segregated area in America. It tells the extraordinary story of how that first class became possible, then traces the lives of Blackmon and his classmates, teachers, and parents from the first day through high school graduation in 1982. It is a riveting portrait of how those children's lives were transformed and how the town — and America — were changed. But as the film follows the lives of those children into the present, it is also a portrait of what our society has lost in its failure to finish the work begun a generation ago.