When a young cast member of The Brokenwood Theatre Society collapses and dies at the end of a performance of Hamlet, the initial belief is that it was from natural causes.

However, Mike detects there is ‘something rotten in the state of Brokenwood' when he gets a whiff of a lethal poison.

In doing so he uncovers a complex web of ego driven dissention amongst the troupe. Was Ben Faulkner expended to create opportunity for another young rising star? Or can his death be linked to the words of the Bard himself? And how did Jared end up playing the lead role?

As Mike and his team investigate the hidden secrets of this curious group of thespians ‘To be or not to be' takes on a whole new meaning.

Holly Collins is not only DSS Mike Shepherd's favourite country musician she's also playing in Brokenwood. Unfortunately it turns out to be her final gig.

When she is found electrocuted it appears to be a rock'n'roll suicide. But then again it could have been a drunken accident - or, as Mike suspects, it is perhaps something less obvious.

With a careless note scrawled in lipstick the only clue, Mike has to set aside his personal interest in the victim and strike the right note with Holly's dysfunctional band members: Slim Fingers, Waylon Strings and Jesse James.

But the more he finds out, the more he needs to know and the less he likes what he learns.