A 1960s record player and a flamboyant pair of 1970s boots are given a new lease of life. And a painting by artist Helene de Beauvoir, sister of French philosopher Simone de Beauvoir, is also lovingly restored.

First into the barn is music lover Poppy, who is hoping bright spark Mark Stuckey can put the phonic funk back into a record player that once belonged to her late grandmother Catherine. The pair shared a love of music, and despite her millennial age group, Poppy is an avid collector of vinyl from the 60s. But with her nan's record player broken, she is unable to play the discs. Having recently moved into her own first home, Poppy is now keen for the turntable to spin again so that she can listen to the old tunes that remind her of her nan.

Next to arrive is barrister Colin, with a pair of boots harking back to his younger, more rebellious days. In the 1970s, Colin was an art student with only meagre funds. However, that didn't prevent him from splashing out an entire term's grant on the boots that have come to symbolise his first steps into adulthood. Bright red and yellow with wings on either side, the style was also rocked by Elton John in the same era. Now nearing retirement, Colin's hoping that cobbler Dean Westmoreland can get the boots groovy again so that he can relive the exciting days of his youth.

Next, Rachel is seeking the expert skills of Julie Tatchell and Amanda Middleditch. Rachel has brought a teddy named Freddy that is looking rather worse for wear. He was purchased by Rachel's mum – a single mother - when she was a toddler as a replacement for another bear she had lost on a visit to the zoo. Freddy turned out to be a very welcome replacement, with Rachel holding him dear ever since. It's an interesting job for the teddy bear ladies, who need to replicate Freddy's original furry jacket, braces and bee-patterned underpants!

Next in the frame is art conservator Lucia Scalisi, who is tasked with a conservation of historical importance. Owner Jean-Robert and his daughter Natasha are from the same family as French artist Helene de Beauvoir and her older sister, the famous philosopher Simone. They have brought a painting that Helene created of her nephew Alain, Jean-Robert's dad. It's the only picture he has of his father as a boy and therefore holds great significance for him. It's a labour of love for Lucia to follow Helene's brush strokes to recreate the artwork.

Stepping into the barn is a pair of tiny cowboy boots, treasured by the family of Elton John's former drummer, while queen of the invisible fix Kirsten faces her biggest challenge yet, as she must painstakingly piece together a shattered vintage glass lamp.

First through the barn doors is a pair of tiny but treasured cowboy boots. Belonging to Diane Wynell-Sutherland, the boots were bought for her son by her brother Roger Pope, a talented drummer and session musician. Diane shares the remarkable story of her brother's musical journey and his close bond with her son, from Roger's early days in local bands to his collaborations with superstars like Elton John and other iconic musicians in the USA, where the boots were bought. Tragically, Roger battled throat cancer before passing away in 2013, leaving behind a legacy of music and love. The boots serve as a tangible reminder of Roger's affection for his nephew and his enduring presence in Diane's life. However, the boots are showing signs of wear and tear, with brittle leather and split soles. Expert cobbler Dean works his magic, ensuring that the boots will be safe to wear once again and keeping alive the memory of a beloved brother and his extraordinary life.

The next visitors are Mehmet and his daughter Ozlem who bring in a treasured saz, a traditional Turkish instrument with a poignant history. Mehmet acquired the saz as a teenager, just before the eruption of tensions between the Greek and Turkish communities in Cyprus in the 1960s. Despite the turmoil of the time, Mehmet found comfort in playing the saz, using its music to ease stress and provide moments of respite from the chaos of war. A constant companion throughout his life, the instrument followed Mehmet to his new life in England where it suffered damage, including a significant crack that threatens its integrity. Expert luthier Julyan Wallis takes on the task of repairing the saz, recognising the instrument's significance to Mehmet and his family. With meticulous care and skill, Julyan sets about mending the crack and addressing other issues, including a broken friction peg, ensuring that the saz will continue to serve as a cherished memento for generations to come.

While it's not a timepiece, the intricate parts of the next repair mean Steve Fletcher is well-placed to meet Caroline Caldwell from Castlewellan, Northern Ireland. She brings in a fascinating piece of industrial history – scales used in the linen industry to weigh threads of linen. Caroline's connection to the linen industry runs deep, with both she and her mother and having worked in this once-booming trade that defined Belfast in the early 1900s. Steve takes on the challenge of repairing the scales, aiming to restore both their functionality and their aesthetic appeal. Steve works to address missing pieces and stubbornly stuck drawers, ensuring that the scales will once again serve as a tangible link to Belfast's industrial past.

Left picking up the pieces, quite literally, of the last restoration is Kirsten Ramsay, who welcomes mother-and-daughter duo Mal and Jo McKenna. They bring a cherished but smashed Murano lamp to the barn. The story starts in the 1920s, when Mal's grandmother acquired it as a souvenir from Italy. Mal recounts how her grandmother initially broke the lamp, prompting repairs by her mother, and now, with the adhesive deteriorating, they fear further damage. Tasking Mark Stuckey with making the antiquated electrics safe, Kirsten sets about meticulously dismantling the lamp, cleaning away the old adhesive before delicately reassembling it, ensuring that every piece aligns perfectly. Thanks to the team's expertise, the Murano lamp, once on the brink of irreparable damage, is given a new lease of life.