Setting bear ladies Julie Tatchell and Amanda Middleditch the first task – with strings attached – Jill Purves and her daughter Vickie, from Biggar in Scotland. Bulbous, a puppet elephant, was bought at an auction and is believed to have been part of one of the earliest BBC children's programmes, Muffin the Mule. Jill and her husband are puppeteers who started touring in the 1960s. They went on to start a toy theatre, which contains a museum to show children how puppets work. They wanted Bulbous to be one of the museum puppets, but sadly they had a fire, and the poor little elephant suffered smoke damage, and his strings melted. Julie and Amanda enlist the help of David Burville to pull all the strings together to rescue the endangered elephant. 

Top of the agenda for clock restorer Steve Fletcher – a watch with a long history, brought in by James from Glasgow. The Swiss timepiece once belonged to James's grandfather, who was a Lancaster bomber pilot in World War II. It was then passed down to James's dad, who had it engraved. Tragically, in 2005, James's father and sister were killed in a boating accident. His father's body was never found, and they feared the watch went with him. However, it was miraculously found in a drawer 20 years later. The family believe that the watch needed some repairs, hence why his dad had put it aside – a silver lining to a tragic situation. After two generations of adventurous wearers, James hopes to be the third generation to wear the watch, in remembrance of those who've passed away. And Steve doesn't disappoint with a stunning repair. 

Peggy Doran, her daughter Jayne and granddaughter Emilie are next through the barn doors, hoping that painting conservator Lucia Scalisi can use her skills to honour a legend of their family. Back in the 1940s and 50s, Peggy's husband Bill was a well-decorated motorcycle racer who sped through the finish line at Scarborough to win the course lap record and eventually the Gold Cup. He went on to win the Belgium Grand Prix. After he retired, he opened a motorbike shop, and his love of bikes was passed down to daughter Jayne and eventually granddaughter Emilie. Sadly, Bill died when Jayne was just 13. The family enjoy looking through old photos of their beloved Bill doing what he loved best. Once, when Jayne went up to Scarborough to visit the track where her dad held so many accolades, she saw the old course lap record sign – with his name on it – which was about to be demolished after years of being exposed to the elements. The circuit director offered her the sign to take home with her as a memento of her dad. She couldn't believe her luck, but it had picked up some bumps and scrapes over the years. Lucia must scramble to salvage the vinyl lettering while Dominic Chinea races to save the wooden framework on the back of the sign. It's a double win that leaves the entire family feeling on top of the podium. 

Last at the barn, Nicholas and his dad Seamus, from County Antrim in Northern Ireland, with a tale of triumph and disaster. They present Will Kirk with a hurling stick which Seamus's mum bought him in 1980 when he was 18. The entire family was involved in hurling from a very early age - and Seamus's mum once won an All-Ireland medal back in 1947. Seamus enjoyed playing with his brand new hurl for two years before his team made it to the All-Ireland Club Final and went on to win it. Keen to preserve his treasured stick, Seamus retired it straight after the victory. Years later, when debating with son Nicholas over whether he was more skilled having used the old stick compared to the newer ones Nicholas was playing with, Nicholas had to put things to the test, but as soon as he swung at the ball with his dad's old hurl, the stick smashed into bits. Full of guilt, he's desperate for wood expert Will to piece the shattered stick back together. The hurl had been signed by all the players, but with every signature now with a crack, it's a difficult fix for Will, but one that leaves it fit to commemorate a proud time in family and community history.

It's the return of smoke and mirrors from times past as Camilla arrives with a groundbreaking form of Victorian entertainment she'd like to see back in action. Her revolving zoetrope is a candlelit, animation device that laid the foundations for the development of moving film.

Camilla's great-great-great-grandfather made the device back in the 1850s. A chief draftsman of the Darlington Railway, he often did technical drawings of trains, and his eye for detail can be seen in the construction of her zoetrope. Passed down to her grandma, Camilla recalls playing with it as a child, and now that it is in her care, she'd love to see it restored to working order.

Angelina Bakalarou has clocked up nearly 20 years of paper conservation experience, which she can use to restore the picture scrolls, whilst expert Dominic Chinea takes on the missing metal prongs that hold the scrolls in place. Will Kirk uses traditional techniques to make a stand. Their combined hard work leaves Camilla completely animated over her now fully usable zoetrope.

The barn's next project is a pair of furniture designer classics. The forlorn pair of chairs belong to Roger, who inherited them from his twin brother Chris when he immigrated to Florida in the 1990s. Unbeknownst to Roger, upholstery expert Sonnaz Nooranvary reveals that his brother Chris had very good taste, as the chairs are vintage ercol. Not realising how important they would become after the loss of his brother, Roger kept the chairs stored in a damp storage space for many years and is now ashamed they've ended up in such a sorry state. Sonnaz sets to work revamping the upholstery, whilst carpenter Will Kirk tackles the water-damaged wood. Their combined efforts pay off as Roger takes a seat on his beautifully restored keepsakes.

Next, hoping for the healing hands of ceramics conservator Kirsten Ramsay, Janaki enters the barn with a precious link to her Sri Lankan heritage. Her ceramic statue of the Buddha has been in her family for over 70 years and was passed down by her mum. Back in Sri Lanka, her mother left the family home and started work as a nanny for a wealthy family, which was unusual for the times. After a few years, the family decided to immigrate to the UK and asked Janaki's mum if she'd like to go with them. Quite the adventurer, she jumped at the chance. Once settled in London, she married and had children of her own. Times were tight, but she remained a devout Buddhist, and Janaki remembers that the statue was always the centrepiece of her mother's shrine at home. But time has not been kind to the little statue. With damage to the all-important gesture of the Buddha and a broken base, Kirsten must undertake some delicate repairs to restore this beautiful, dainty piece.

Finally, Fiona brings in a pair of her dad's boots from the 1960s. She explains that these are no ordinary Chelsea boots but traditional step-dancing boots. Her father, a Norfolk fisherman and lifeboat worker, used this freestyle form of tap dancing to relax at the end of a hard day's work. Keen to continue the tradition, Fiona returns to the barn accompanied by a musician in the hope of dancing in her father's step-boots once again.