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S38 E8 Douglas Stuart: Love, Hope and Grit
本集简介

Alan Yentob meets Douglas Stuart at a critical point in his career as he emerges from the starlight of his triumphant debut novel, and winner of the Booker Prize, Shuggie Bain. imagine... walks the streets of Glasgow's East End and the East Village in New York as Douglas Stuart tries to unite two very different sides of his life through his writing.

Shuggie Bain centres around an alcoholic single mother and her queer son as they navigate life on a Glasgow sink estate. It is distilled through Stuart's own troubled upbringing in poverty and addiction in 1980s Glasgow. imagine…takes him back to the old haunts in the novel: Sighthill, the Barras Market and the Grand Ole Opry.

We meet the two art teachers who, according to Stuart, saved his life. Just like his character Shuggie, he had lost his own mother to alcohol addiction. Douglas Stuart was on the cusp of homelessness, struggling to stay on at school, but in just a few years he went from a Glasgow bedsit to the Royal College of Art, and then landed in the epicentre of New York fashion, working for Calvin Klein.

Alan Yentob retraces Stuart's remarkable journey in New York, where he was now able to be open about his sexuality, having faced isolation and homophobia growing up. However, despite his astonishing success in the fashion world, he had not processed the memories of his childhood. In 2009, he started writing the early drafts of Shuggie Bain as he travelled on the subway into work.

This year sees the publication of Young Mungo, his second, highly anticipated novel, a love story about two teenage boys coming to terms with their queer identity in the sectarian Glasgow of the author's youth.

Contributors include Alan Cumming, Val McDermid and Lulu, plus readings from local Glaswegians.

上一集
2022/11/07 S38 E7
Sonia Boyce: Finding Her Voice

Alan Yentob follows acclaimed artist Sonia Boyce as she prepares to make history as the first black woman to represent Great Britain at the Venice Biennale. Why does that matter? Because this historic, sprawling exhibition is widely seen as the most prestigious and influential showcase of contemporary art in the world. The pressure is on for Sonia to pull off the biggest exhibition of her career.

Her Venice Pavilion is inspired by a passion project she has been obsessed with for over 20 years. Called the ‘Devotional Collection', it's a massive archive of memorabilia relating to the contributions of black women in the British music industry, and Sonia is bringing many of her collected names to Venice.

This insightful and timely film charts the two months leading up to the Biennale's opening week, and also explores Sonia's 40-year evolution as an artist. Beginning with the large-scale pastel depictions of herself that announced the arrival of a major new talent back in the 1980s, and looking at her experiments with interactive sculptures made of hair in the 1990s, the film ends with what fascinates Sonia Boyce today: performance art created through improvisation, play and experimental
singing.

Sonia finds herself part of a wider conversation at this year's Biennale. Her close friend and former Brixton neighbour Zineb Sedira is the first artist of Algerian heritage to represent France, and her former pupil Alberta Whittle is making history as the first black woman to represent Scotland. For the first time in its history, women artists dominate the Biennale. Could this be a moment of fundamental change not only for Sonia Boyce, but for contemporary art history?