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On the shift once more with the West Midlands Ambulance Service capturing every moment of their work Inside the Ambulance. The series picks up with familiar faces in Dudley and re-visits new ones in Stoke, the biggest and newest ambulance hub in the West Midlands, as the paramedics and technicians give an intimate and adrenalin-fuelled response to some of the 4000 emergency calls that come in each day.
Sam and Myles respond to a call for a man who's collapsed with severe breathlessness. Husband-and-wife crew mates Ann and Kev treat a homeless man who's been assaulted.
Sam and Carla blue-light it to a man who's fallen badly at home and has a suspected spinal injury and Ash and Craig help a 12-year-old boy who has been attacked at his local fun fair.
V and Ollie are faced with a dilemma when they're called to woman who has suffered a seizure but refuses to go to hospital. Rachel and Mick are called to assist the police with a prisoner.
Time is against ambulance crew mates Laura and Jason as they treat a 74-year-old woman who is having a stroke. Olly and V are called to a man whose heart is beating dangerously fast.
Sam and Tony are called to a woman suffering excruciating stomach pains but soon find themselves dealing with a sudden seizure. Stef and Lee treat an excitable six-year-old.
Anna and Darren treat a woman who is sadly suffering from terminal cancer; and Jamie and Jason see a familiar face when they are called to the home of his elderly grandfather.
V and Ollie blue light to a Rugby Pitch to help a man who's had a seizure; and Sam and Tom are called to the home of a three-year-old girl who's suffered a severe allergic reaction to yogurt.
Anna and Stuart blue light to the home of a former soldier who has fallen down some stairs and has a potential spinal injury; and Jo and Laura treat a teenage boy who is having a seizure at collage.
Ash and Jamie blue light to a young lady with severe chest pains who is losing consciousness; Chris and Joel help a man with low kidney functions who has been picked up by the police after phone calls from his concerned GP went unanswered; and Ollie and Stef are called to a pensioner with end stage dementia.
Chris and Tom go to the home of a young woman who is having suicidal thoughts and show how well trained they are at dealing with mental illness as well as physical; and Jo and Ash rush to treat a 21-month-old baby who has fallen and hit his head.
Featuring paramedics from the South Central Ambulance Service, Inside the Ambulance goes behind the scenes and onto the front line of the NHS. Using body-mounted cameras, it follows the crews every step of the way, giving a unique perspective of what it's like to respond to some of the two thousand calls that come in every day.
The 11th series of the UKTV Original, Inside The Ambulance now rides with the NHS heroes of the South Central Ambulance Service in Portsmouth and Oxford. Ambulances rigged with cameras and body-mounted camera on each paramedic capture everything that happens behind closed doors in a variety of emergency situations. Filmed largely before the coronavirus pandemic, this new series sees crews deal with everything from road accidents to dangerously ill new-born babies, all the time showing the skills, emotions and bravery than can only be seen from inside the ambulance.
Inside the Ambulance returns for a 10th series, taking viewers on to the front line of the NHS with West Midlands Ambulance Service. Filmed in Dudley and Stoke-on-Trent, cameras mounted on crew members and throughout their ambulances capture every moment of what goes on behind closed doors as they tackle around 4000 calls each day, from life-threatening emergencies to cuts and bruises.
Inside The Ambulance returns for a brand new series of medical emergencies following ambulance crews from West Midlands Ambulance Service. Filmed in Dudley and Stoke-on-Trent, cameras mounted on crew members and throughout their ambulances capture every moment of what goes on behind closed doors as they tackle around 4,000 calls each day, from life and death decisions to cuts and bruises.
On the shift once more with the West Midlands Ambulance Service capturing every moment of their work Inside the Ambulance. The series picks up with familiar faces in Dudley and re-visits new ones in Stoke, the biggest and newest ambulance hub in the West Midlands, as the paramedics and technicians give an intimate and adrenalin-fuelled response to some of the 4000 emergency calls that come in each day.
Crews from West Midlands Ambulance Service with a new team from Stoke-On- Trent face more heart-pounding action and medical emergencies – as well as lighter moments - as they tackle over 4,000 calls each day. Cameras mounted on crew members and the ambulances capture every moment of what goes on behind closed doors.
On Inside the Ambulance: At Christmas, it's the first time cameras have been with crews from West Midlands Ambulance Service as they work around the clock at Christmas and New Year - one of their busiest and most challenging times.
Filmed with cameras at all angles, including on the crewmembers, the series captures the action behind closed doors as they tackle 4,000 emergency calls each day.
The gripping and emotional series returns for a brand new series. Crews from West Midlands Ambulance Service face more heart-pounding action and medical emergencies – as well as lighter moments - as they tackle over 4,000 calls each day. Cameras mounted on crew members and throughout their ambulances capture every moment of what goes on behind closed doors.
The UKTV Original documentary returns for a third series and follows the heart-pounding action and human stories of frontline paramedics from one of Britain's busiest ambulance services.
Using cameras mounted inside a West Midlands Ambulance Service vehicle, as well as on the team members themselves, the series gives a unique perspective of the nation's first response emergency workers. The series also captures how the hard-working paramedics cope with the life and death situations they deal with on a daily basis, as well the friendships they forge during the lighter moments of working with the great British public.