Set in 1982, with the arrival of the Quevedos to the Plaza de los Frutos to open a textile business with the ambition of turning it into a benchmark in the fashion world.

1981. Spain prepares to dazzle at the World Cup. These are times when creativity and modernity come together, amid a climate of political instability and economic crisis.

1978. Manolita and Pelayo are in the morgue, dejected. One of the Gómez brothers has just passed away.

1976. A new family arrives in the plaza: the Ordoñez family. After learning of her husband's infidelity, Julia Eguía sets out to rediscover herself as a woman of the times.

1975 brings new developments that shake up the lives of the square's inhabitants. Immersed in the beginning of the Transition, a satirical magazine opens in the neighbourhood, along with a stately hotel.

1969. One year after discovering the murderer of Alonso Núñez de Losada, the plaza continues to grow. The weekly España Siete Días takes centre stage with Marta and Durán, among others.

1967. A two-year leap that brings modernity to this new era close to the 1970s. This time, the conflicts will revolve around the Novoa Appliance Company.

1964. This new era begins with the opening of a new business in the Plaza de los Frutos, replacing the Blasco drugstore: the Niza Beauty Salon.

1963. After an explosion that nearly ended in tragedy, the Plaza de los Frutos begins to grow with new businesses that will bring love, intrigue, and revenge to the place.

1961. After the double wedding, many decide to rebuild their lives away from Madrid. Some familiar faces, and others new, reunite in the Plaza de los Frutos.

Through El Asturiano, we follow the lives of residents in 1960s Spain. The new era of ye-ye, the era of Vespas, revolts, and social demands.