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The vortex deposits the Sliders in a "neural remapping center," where Diana is mistaken for a patient: an internee prepped for brain surgery that quashes individuality.
A beloved, long-lost Slider contacts Rembrandt, who subsequently winds up being used by the crafty Kromaggs in a biotechnological plot to eliminate all humans.
At a state-of-the-art entertainment center that offers role-playing scenarios, Maggie is thrust into a virtual-reality drama: a Civil War battlefield that traumatizes her.