哇，窗口太小啦
请调整浏览器窗口大小或者请使用手机查看！
We Might Regret This
Centring around a new relationship, an impending blended family and an intense female friendship, the series follows Freya a 30-something Canadian artist and tetraplegic. She's moved to London for Abe, a 50-something straight-laced lawyer who thinks he's the old dog that can learn new tricks. Freya and Abe's relationship is a high-speed romance which sees Abe inviting Freya to move into his house before she's even seen upstairs. Because of Freya's disability, living together also includes personal assistants (PAs), who are always there - a third person in earshot for every romantic moment and domestic screaming match. After failing to find the right person for this more than intimate role, Freya invites chaotic and impulsive best friend Jo to take the job. What could go wrong?
It's the 15th anniversary of Sam's death, and Freya wants to help Abe with the annual party for Sam's friends. Abe deviates from tradition and drags Levi and Jane to therapy before their usual 'Sam's Day' activities. Meanwhile, Levi confesses his feelings for Jo, which does not go down well with anyone.
Freya and Abe go for their first weekend away together, with Abe doing all Freya's personal care on his own. It goes well until an argument starts and trouble brews. Levi has his first food truck gig for a family friend's engagement party. Jo shows up to support, determined to keep it professional.
Levi wakes up in Jo's bed, and before he can escape, Abe ropes him into working on the food van. Abe and Jane encourage Levi to share his food with the public. Freya is late for a modelling shoot she doesn't want to do and runs into Jane and Levi at the house. Freya is fed up with playing second fiddle and gets a drink with a flirty director.
Freya's new power chair arrives - she tries it, sees herself in the mirror and wants to get back into bed. Abe and Jane visit a therapist to talk through their divorce. Levi visits Jo at the house. Abe misses the builder who comes to talk about installing a lift, so Freya chats to him by herself.
Abe insists Jo needs to go for PA training, while Jo gets lots of missed calls from an unknown number. Ty returns to begrudgingly fulfil her two weeks notice. Freya has her first modelling shoot, which is almost a disaster. Abe makes a nostalgic work trip to his kids' favourite diner and buys Levi their old food van on a whim.
Tetraplegic artist Freya moves to London to be with silver fox Abe, a lawyer. Freya has a 24-hour live-in carer, and her PA Ty is efficient but problematic. Meanwhile, things are disrupted when Freya's chaotic best friend Jo arrives for Freya's welcome party.
The second series, filming in London, is set against the backdrop of Freya and Abe's recent engagement. As the couple dive headfirst into wedding planning, it quickly becomes clear that their views on marriage—and visions for the big day—aren't always aligned.
Tensions rise as they navigate the high-stress world of wedding prep, further complicated by Freya's agents, The Olivias, who enlist the couple in a wedding-themed content creation campaign focused on disability inclusion.
Abe is also forced to confront his complicated history with Jo, as well as his own trust issues, after unexpectedly finding Jo and Freya together. As Freya and Jo's connection rekindles, it becomes clear that Abe will need to come to terms with the past—and find a way to at least accept, if not fully embrace, the person who plays such a vital role in Freya's life and wellbeing.
Centring around a new relationship, an impending blended family and an intense female friendship, the series follows Freya a 30-something Canadian artist and tetraplegic. She's moved to London for Abe, a 50-something straight-laced lawyer who thinks he's the old dog that can learn new tricks. Freya and Abe's relationship is a high-speed romance which sees Abe inviting Freya to move into his house before she's even seen upstairs. Because of Freya's disability, living together also includes personal assistants (PAs), who are always there - a third person in earshot for every romantic moment and domestic screaming match. After failing to find the right person for this more than intimate role, Freya invites chaotic and impulsive best friend Jo to take the job. What could go wrong?
