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摩斯探长前传 Endeavour
The fourth series begins in the summer of 1967, barely a fortnight having passed since the events of the Series 3 finale, and we find Oxford's finest picking up the pieces of their lives, both personal and professional. Whilst Thursday and wife, Win, struggle to process the departure of both their daughter Joan and son, Sam, who has joined the army, Endeavour waits nervously to hear the result of his Sergeant's exam. Throwing himself into his work to mask the heartache of Joan leaving, Endeavour is quickly consumed by his duties with an array of new, perplexing cases landing on his desk.
Endeavour becomes embroiled in a case with pagan overtones. When a body is discovered on boggy Bramford Mere, it reveals a new lead in the old missing persons case. Almost five years to the day since that disappearance, Endeavour and DI Thursday pick up where the investigation left off.
Whispers that Cowley General contains a cursed ward - and a seemingly innocuous death - set off a chain of events that lead Endeavour to investigate the dark depths of the hospital. While there, he is forced to confront his own ghosts as he discovers a chilling secret.
When moral crusader Joy Pettybon receives a death threat, Endeavour must protect her at all costs. Then he is dragged into a war of social attitudes.
Throwing himself into his work to mask the heartache of Joan leaving, Endeavour is quickly consumed by his duties when a research scientist is found drowned.
It's Spring, 1972. Two unexplained deaths turn up ties to the Oxford Concert Orchestra, while a body discovered in a derelict warehouse stokes fears that ‘London business' has yet again found its way to Oxford. Thursday and Endeavour's investigation unearths some unsettling connections to cases the duo believed were well and truly behind them.
Series eight is set in 1971 and a death threat to Oxford Wanderers' star striker Jack Swift places Endeavour and his team at the heart of the glitz and glamour of 1970s football, exposing the true cost of success and celebrity, and with it, a deep-rooted division that is soon reflected much closer to home.
The new trilogy of films mark Endeavour and his colleagues entering a new decade and era of change. Opening on New Year's Eve 1970, normal order has been resumed, and the team reunited at Castle Gate CID, with Chief Superintendent Bright back in charge. However, the events of the past year have left their mark, and the new series will see old friendships challenged and new relationships blossom.
In the dawn of women's liberation, social progression and scientific growth, the 1970s begin for Oxford's finest with the discovery of a body at the canal towpath on New Year's Day. With the only clue in the investigation a witness who heard whistling on the night of the crime, the team have their work cut out to uncover their culprit.
With a strong, overarching plot connecting the three films, the seventh series will test Endeavour's moral compass to breaking point, both personally and professionally.
Following the dissolution of Oxford City Police and the merging with Thames Valley Constabulary, the latest instalment is set in 1969 and picks up with the team dispersed as they find their feet in their various new roles. However, despite their separation, the tragic murder of DC George Fancy still hangs over them both collectively and individually, with the case remaining unresolved. With their new positions also come new colleagues and responsibilities. Thursday must adjust to working with new boss DI Ronnie Box and junior DS Alan Jago. Meanwhile, Joan has settled back in Oxford and is training to work in social services under the mentor of new manager Viv Wall.
Set in 1968, the new series begins with Morse having finally passed his Sergeant's exams just as Oxford City Police merges into Thames Valley Constabulary creating uncertainty for everyone at Cowley CID. And despite Joan Thursday return to Oxford, much also remains unresolved following her disappearance the previous year and Endeavour's unexpected proposal.
The fourth series begins in the summer of 1967, barely a fortnight having passed since the events of the Series 3 finale, and we find Oxford's finest picking up the pieces of their lives, both personal and professional. Whilst Thursday and wife, Win, struggle to process the departure of both their daughter Joan and son, Sam, who has joined the army, Endeavour waits nervously to hear the result of his Sergeant's exam. Throwing himself into his work to mask the heartache of Joan leaving, Endeavour is quickly consumed by his duties with an array of new, perplexing cases landing on his desk.
1967 is for Endeavour ‘perhaps the end of the beginning.' Change is abroad in the world and not even the city of dreaming spires can escape its influence. Change for Endeavour, and those most dear to him – personally and professionally. Departures and arrivals. Entrances and exits. Our next quartet of mysteries will take the audience on a psychedelic Summer of Love fairground ride, filled with twists and turns, shrieks and scares. In particular, one encounter at a certain stately home will echo down the years, and have consequences that not even Endeavour Morse could have foreseen. The only constant is death… And Green Shield Stamps.
1966 brings Endeavour a fresh quartet of baffling mysteries set to test his brain and body to breaking point. Though offset by the possibility of love unlooked for, against a backdrop of growing change in Britain and the wider world, Endeavour must face a challenge that threatens to take from him all he holds dear... Family. Friends. Colleagues. The old order changeth... but not without a fight. To the death.
