A fashionable theatre director is visiting Shatalin. Upon seeing Vika, he immediately offered her the role of Juliet in his avant‑garde production of Shakespeare's classic work. Maxim objects; as an expert, he immediately realized that his children's nanny was completely unsuitable for the role. Zhanna Izhevskaya finds out: the director gave Vika the role on purpose, so that the production would end in complete failure. In this original way, he wants to settle the score with the producer.

According to Vika, Ksyusha has already grown up, and it's time for her to stop dragging her plush teddy bear around everywhere. She's trying to wean Ksyusha off this "childish" habit. Masha wants to go to a rock concert, but she can't get tickets. At her request, Vika gets Maxim involved — she asks him to get the scarce tickets, using his connections in the show business. Vika meets a wealthy older man who proposes to her and takes her to Europe. But in the end, Vika comes to a simple conclusion: he's not right for her.