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Barry
Barry is a depressed, low-rent hitman from the Midwest. Lonely and dissatisfied in his life, he reluctantly travels to Los Angeles to execute a hit on an aspiring actor. Barry follows his "mark" into an acting class and ends up finding an accepting community in a group of eager hopefuls within the LA theater scene. He wants to start a new life as an actor, but his criminal past won't let him walk away - can he find a way to balance both worlds?
Barry vows to give up his life of crime, once and for all. Pazar enlists Vacha's replacement to take care of Fuches. Moss and her team close in on a major arrest with hopes of finally cracking the Madison case.
A deadly shootout threatens Barry's timely participation in Sally's big stage moment.
Barry tries to fly solo at a remote airstrip, but Taylor still wants in. Vacha looks to exact revenge on the man who killed his brother, despite Pazar's hands-off orders. Moss tries to end her association with Gene, but finds herself drawn to his classroom at a critical juncture. Sally lobbies for a major acting challenge.
Barry looks to hit the reset button with Sally, but a scene from Macbeth triggers a reaction that pushes them farther apart. Moss moves to interrogate members of Gene's acting class after a shooting video surfaces. Barry finds himself in a quandary after having to team up with a reckless new acquaintance named Taylor in a dangerous mission to wipe out a group of Bolivians.
Barry finds that distancing himself from Fuches and the Chechens might be harder than he thought. Sally is dismayed to learn that an audition arranged by a prospective agent has strings attached. Gene promises Moss a bombshell, but only over dinner. Barry invites a Marine buddy and his two pals to a party given by his classmate Natalie, where Zach, a rising actor, threatens Barry's claim on Sally.
Barry fulfills an obligation, and comforts Sally after an audition gone awry. The Chechens welcome a hitman legend.
In the wake of some shocking news, Gene encourages his class to channel their feelings into their work. Meanwhile, resolved to quit his job and put the past behind him, Barry tries not to get pulled back in by Fuches and the Chechens; and Sally tries to crack the nut that is Barry.
Barry is a disillusioned hitman from the Midwest. His handler, Fuches, sends him to LA to execute a hit for the Chechen mob, led by Goran Pazar and his right-hand man, NoHo Hank. Barry's target: an aspiring actor who is having an affair with Pazar's wife. Barry follows his "mark" into an acting class taught by beloved teacher/guru Gene Cousineau, and is instantly drawn to the group of students, especially Sally. Barry wants to start a new life in the class, but the criminal world won't let him walk away so easily.
Cousineau is hailed as a hero as Barry's arrest has shocking consequences. It's all been leading up to this - the explosive and hilarious final chapter of Barry.
Desperate to leave his violent past behind in favor of his newfound passion, Barry is attempting to untangle himself from the world of contract killing and fully immerse himself in acting. But getting out is messy. While Barry has eliminated many of the external factors that pushed him towards violence, he soon discovers they weren't the only forces at play. What is it about his own psyche that led him to become a killer in the first place? Season 3 finds Barry and the other characters trying to make the right choice.
As Season 2 opens, Barry struggles to focus exclusively on the theater and his girlfriend and classmate Sally, hoping against hope to rid himself of the ties that bind him to the Chechen mob group now led by Noho Hank, who ascended to the top job after Barry whacked his boss last season. Although he's persuaded grieving acting coach Gene Cousineau to return to class, Barry is incapable of extricating himself from a violent criminal triangle involving the Chechen, Bolivian and Burmese underworlds - not to mention some deeply suspicious LA detectives. Meanwhile, on the Midwest horizon looms Monroe Fuches, Barry's erstwhile boss, who has found it exceedingly difficult to hire a replacement in Cleveland as capable as his onetime ace assassin.
Barry is a depressed, low-rent hitman from the Midwest. Lonely and dissatisfied in his life, he reluctantly travels to Los Angeles to execute a hit on an aspiring actor. Barry follows his "mark" into an acting class and ends up finding an accepting community in a group of eager hopefuls within the LA theater scene. He wants to start a new life as an actor, but his criminal past won't let him walk away - can he find a way to balance both worlds?
