哇，窗口太小啦
请调整浏览器窗口大小或者请使用手机查看！
Barry
Desperate to leave his violent past behind in favor of his newfound passion, Barry is attempting to untangle himself from the world of contract killing and fully immerse himself in acting. But getting out is messy. While Barry has eliminated many of the external factors that pushed him towards violence, he soon discovers they weren't the only forces at play. What is it about his own psyche that led him to become a killer in the first place? Season 3 finds Barry and the other characters trying to make the right choice.
On the season finale...What the hell is that?!
Let's split up.
What kind of guy wouldn't want to put a hot tub up there?
This is just an example of bottling it up…
Desperate to solve his Bolivian problem, Noho Hank turns to Barry with a plan. Meanwhile, Fuches returns to LA with a vengeance, Sally celebrates the premiere of her show, and Gene scrambles to skip town - only to be bombarded with reasons to stay.
As Barry and Gene take on new opportunities, Sally prepares for her first press junket - and Katie shares her concerns. With the Bolivians still in heavy pursuit, Hank reaches out to Fuches while Cristobal pitches a new tactic to Fernando.
Barry learns the extent of Gene's storied Hollywood history. Then, Cristobal and Hank face a major setback when Cristobal's father-in-law Fernando unexpectedly arrives in LA looking to take out the Chechens - and bring Cristobal home.
As an increasingly desperate Barry searches the dark web for jobs, Sally, now the creator and star of her own show, begins to feel the pressures of success. Meanwhile, Noho Hank braves his first big test in interrogation, and Gene ruminates over Fuches' crushing reveal.
Cousineau is hailed as a hero as Barry's arrest has shocking consequences. It's all been leading up to this - the explosive and hilarious final chapter of Barry.
Desperate to leave his violent past behind in favor of his newfound passion, Barry is attempting to untangle himself from the world of contract killing and fully immerse himself in acting. But getting out is messy. While Barry has eliminated many of the external factors that pushed him towards violence, he soon discovers they weren't the only forces at play. What is it about his own psyche that led him to become a killer in the first place? Season 3 finds Barry and the other characters trying to make the right choice.
As Season 2 opens, Barry struggles to focus exclusively on the theater and his girlfriend and classmate Sally, hoping against hope to rid himself of the ties that bind him to the Chechen mob group now led by Noho Hank, who ascended to the top job after Barry whacked his boss last season. Although he's persuaded grieving acting coach Gene Cousineau to return to class, Barry is incapable of extricating himself from a violent criminal triangle involving the Chechen, Bolivian and Burmese underworlds - not to mention some deeply suspicious LA detectives. Meanwhile, on the Midwest horizon looms Monroe Fuches, Barry's erstwhile boss, who has found it exceedingly difficult to hire a replacement in Cleveland as capable as his onetime ace assassin.
Barry is a depressed, low-rent hitman from the Midwest. Lonely and dissatisfied in his life, he reluctantly travels to Los Angeles to execute a hit on an aspiring actor. Barry follows his "mark" into an acting class and ends up finding an accepting community in a group of eager hopefuls within the LA theater scene. He wants to start a new life as an actor, but his criminal past won't let him walk away - can he find a way to balance both worlds?
